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April I 2008
Number 531
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In This Issue...
CougarWeb: The evolution has begun
Go green: Earth Day festivities planned
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Central Park construction making progress
Recipe of the Month -- Bison Burgers
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UTD schedules Transfer Expo for Spring Creek Campus
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Music Review: She and Him
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About Cougar News
A newsletter for the students, faculty and staff of the Collin College. Published semi-monthly. For information or submissions, call 972.599.3142. Cougar News welcomes student and faculty submissions. Next deadline: April 1. All submissions are due by 5 p.m. on the due date. Photos cannot be returned. Text should be emailed to mrobinson@ccccd.edu or sent on disk. Please submit copy that is proofed, edited and saved in Word format. Cougar News staff: Lisa Vasquez, director; Mark Robinson, editor; Marcy Cadena-Smith, contributor; Justin Jones, contributor; Nedal Ahmed, student correspondent; Nick Young, photographer and layout.

Music Review: She and Him

By Mark Robinson
Cougar News Editor

She and Him

“She and Him: Volume 1”

The “she” in She and Him is Zooey Deschanel.

 

You might recognize the name from such films as Almost Famous and The Hitchhiker’s Guide to the Galaxy. Typically, the thought of an actor or actress transitioning to a music career is scary. The difference between Deschanel and Russell Crowe or Kevin Bacon is that the former is very talented.

 

And it doesn’t hurt having the exceptional M. Ward (the brainiac behind 2006’s Post-War) taking on the “Him” of the equation. “She and Him: Volume 1” takes Deschanel’s ability to melt eardrums with her lilting voice and Ward’s ability to craft and produce a song, which creates a perfect blend from acoustic pop (“Why Do You Let Me Stay Here?”, 1960s Motown (“I Was Made For You,” “Sweet Darlin’”), Don Ho doing a Beatles cover (“I Should’ve Known Better”) and the twang and heartbreak of Tammy Wynette’s backyard lamentations (“Change Is Hard,” “Got Me”).

 

Deschanel is an exceptional singer -- harnessing a distinctive voice that is effortless and as warm and inviting as freshly baked bread. Almost a throwback to the radio-era swagger, Deschanel could lull Cerberus to sleep all the while sounding like she could use a nap herself.

 

I don’t know how this stacks up against Jenny Lewis’ solo work Rabbit Fur Coat, which Ward co-produced. More eclectic, but still very smooth and a very solid effort.

 


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